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Cover of The double-curve motive in northeastern Algonkian art

The double-curve motive in northeastern Algonkian art

Frank G. Speck

1914 · EN

A discussion of the use of several design elements in Algonkian art by different native groups, with emphasis on a primary element known as the double-curve motive, as well as their origin, nature, and possible symbolism. Among the tribes identified in the paper as users of the double-curve motive are the Montagnais, Naskapi, and Eskimo of Labrador.

Editions · 1

Paperback
1997 · Govt. Print. Bureau
84 pp · EN
9780665827358

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