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Includes rarely seen works from the beginning of her career in the mid-1970s, including work created while Sherman was an art student at Buffalo State College, Buffalo, New York (1972-76). These early works from 1975-1978 demonstrate Sherman’s conceptual approach to photography and foretell the career that would launch her into the art world in the late 1970s. On view, a grid of twenty-three hand colored headshots, Untitled, 1975, depict the transformation of Sherman’s appearance achieved through layers of heavy make-up that results in the progressive transformation from a boyish look to glamour girl. These student works express Sherman’s interest in exploring her own identity and how she could radically alter her appearance through the simple use of make-up. In another set of thirteen serial headshots, Untitled, 1975, Sherman morphed her appearance by contorting her face into exaggerated expressions, pinned back her hair, and applied subtle make-up. The result is a visual account of Sherman maturing before our eyes from a little girl to an adult. Description from: Contemporary Art Museum St. Louis

Editions · 5

Hardback
1991 · Kyoto Shoin International
48 pp · EN
9784763685681
Paperback
2006 · Contemporary Art Museum St. Louis
56 pp · EN
9780971219588
Hardback
2007 · Flammarion
320 pp · EN
9782080305220
Paperback
2019 · Rizzoli International Publications, Incorporated
24 pp · EN
9780847867424
Paperback
2023 · Hauser & Wirth
EN
9783906915821

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